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William Manning started as a graphics student working mainly in black and white before moving on to collage and painting. His works on paper form the foundation his work and are based on the environment of his native Maine. He uses as his subject the cycles of nature, including the seasons, weather, and the sun's light for his delicate line drawing and expressive collage. After receiving a grant from the National Endowment for the Arts in 1975 he started a transition to diamond-shaped canvases, and then three-dimensional standing paintings that allowed for multiple viewpoints. They unfold to the viewer in a way that is reminiscent of Cubists’ work, but pursue a modern mode of design. His work reflects a deep relationship with his natural surroundings, frequently referencing forested or mountainous landscapes of the Northeastern US. In 2003, The Anita Shapolsky Gallery produced a solo exhibition of his work in conjunction with a 40 year retrospective at Bates College in Lewiston, ME.
COLLECTIONS
Anita Shapolsky Art Foundation PA
Amherst College; Amherst MA
AT&T; New York NY
Canal Bank; Portland ME
Corcoran Gallery of Art; Washington D.C
DeCordova Museum; Lincoln MA
Haystack School of Crafts; Deer isle ME
Portland Museum of Art; Portland ME
University of Maine; Orono ME
University of Maine; Orono ME
Provident National Bank; Philadelphia PA
General Electric Co.; Fairfield CT
Muhlenberg College; Allentown PA
AWARDS
National Endowment for the Arts (Artist-in-Residence to
The city of Portland ME)
Finalist - Prix de Rome
MacDowell Fellowship
Purchase Award, DeCordova Museum- Lincoln MA
K.V.A.A. Award
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